Screening: Don’t Believe the Hyperlink [Part of Deep Focus]

Get your tickets here (£2-10)*.

Throughout history, new communication technologies have challenged our ability to discern truth from fiction. From the invention of language to the rise of the internet, each new medium has brought with it new opportunities for manipulation and deception.

As part of our non-fiction narrative lab programme, Deep Focus, Abandon Normal Devices, the Centre for Investigative Journalism (CIJ) and the Center for Artistic Inquiry and Reporting (CAIR), invite you to join us for an evening of short film screenings which explore the deceptively seductive nature of algorithmic recommendations and the online aesthetic methods employed to allure and manipulate our desires or fantasies.

From the playful and satirical to the critical and unsettling, these films will dissect and paint a portrait of a world where the boundaries between the real and the fabricated become increasingly porous, pushing us further into a post-post-post-truth era.

This screening will also be followed by a Q&A featuring artist Juliusz Grabianski.

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Featured films and artists:

How to excel at everything, Marion Balac
Marion Balac (b. 1984) is a graduate of Paris 1 Panthéon Sorbonne and ENSBA Lyon working in the field of video and visual arts. Her recent work explores the links and tensions between territories, feelings, transmission and technology. Observing and using the resources offered by the Internet, she lingers on its dynamic playgrounds to bring out its incongruities, divert its uses towards poetic ends or social experiments, and elaborate new fictions, in or out of the screen.

Touching Grass, Juliusz Grabianski
Juliusz Grabianski is a visual artist based in London. His practice investigates the role of technologically mediated images in creating digital mythologies.

The Future Ahead Will Be Weird AF (The Ultimate AI CoreCore Experience) Part One (2023) and Part Two (2024), by Silvia Dal Dosso
Silvia Dal Dosso is a creative and film director and a researcher in digital technologies and web subcultures. In 2016 she co-founded Clusterduck, an art collective working in the fields of research, design and transmedia. With Clusterduck she co-created collective exhibitions and interactive installations such as #MEMEPROPAGANDA, Meme Manifesto, The Detective Wall, and publications such as “The Detective Wall Guide” (Aksioma, 2021). She regularly writes about art, technology and how to survive it, on Domus, Not, INC Longform, and others.

MICCHAN, Noura Tafeche & Tobia Paolo Bettoni
Noura Tafeche is a visual artist, independent researcher and onomaturge. She graduated in New Technologies for Art from the Brera Academy, with a particular focus on the field of net.art and radical entertainment. Her artistic journey unfolds through laboratory methods and practices, video, installation, onomaturgy and miniature drawing. Her research areas delve into the study of phenomena related to online visual cultures, the aestheticization of violence on digital platforms, linguistic experimentation and the visual representation of speculative imaginary.

Tobia Paolo Bettoni is a university student pursuing a degree in political science at Università degli Studi di Milano. His subject of research is the political use of otaku aesthetic, with a keen focus on the «political bishoujo».

Read more about the films.

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FAQs

I am a student or staff member at the School of Digital Arts – can I attend for free?

Yes! Please email us at edwina@andfestival.org.uk to register for a free ticket.

*Why are there different ticket prices?

Tickets for this event are based on the Pay What You Can model, with tickets ranging from £2–£10. If you are able to pay above the recommended price, your support helps ensure affordability and free entry for guests where a paid ticket is a barrier to attending.

 

Deep Focus is part of a two year curatorial partnership at the School of Digital Arts (SODA) at Manchester Metropolitan University. Find out more about the partnership.